In 1960, she moved to Paris and took up jazz under the mentorship of pianist Bud Powell. But she performed classical piano at concerts around Detroit in her teens. Because the music she would go on to make is so cosmic, so beatific, it’s easy to mistake Alice Coltrane for somebody without rigorous musical training. Though their influences dovetail, their oeuvres remain separate, and within the spectacular and emotional Journey in Satchidananda, the knot at the heart of Alice Coltrane’s harp story starts to unfold.īorn Alice McLeod in the Detroit summer of 1937, she was a talent from the start, playing piano and organ in her local Baptist church. To suggest that the harp itself began her career would be to deny the intensity of her talent and do wrong by every wife whose legacy has been yoked to her husband’s. But Alice was not Orpheus, and John was not Apollo.
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